I explore dance and movement through various methods of improvisation. Then, through mental processes, various inspirations and influences, I make decisions on how to manipulate the material that came out of improvisation._my goal_is transmitting kinetic energy from myself ontothe spectators. I would like my spectator to have the possibility to immerse him/herself into the atmosphere that I create, connect with the energy that I project, leaving him/her with a wide range of different interpretations of what they have seen. I don’t have a clear idea of the exact emotion I want to evoke so I always leave some space and freedom for experimenting. I’m interested in perfecting my own choreographic practice by doing solos, cooperating with fellow artists, and by sharing knowledge and experience in a positive atmosphere._education_Matea Bilosnićhas been dancing from an early age. In 2013, she graduated from Salzburg Experimental Academy of Dance.

There is a moment in the solo when I stop. Calm down. With hair over my face. And then the pain in my neck becomes so unbearable that I immediately go back to headbanging. 


Henri Bergson  Laughter

matea3_damir žižić